If you’re gonna make a film about an artist staying true to the roots of jazz against the odds and against modern reinventions of the genre (from white musicians like, say, Mayer Hawthorne), you'd think that artist would be black. White brings maturity, sass, style and a natural effervescent charm that proves irresistible.”. There is a floating cast of musicians from track to track. Life in the Modern World (Café Pacific – 15010) gives the listener a demonstration of the breadth of her taste. MTV AND ALL RELATED TITLES AND LOGOS ARE TRADEMARKS OF VIACOM INTERNATIONAL INC, how his father influenced his love for the genre. She probes… Life in the Modern World offers fine music where one is drawn into a world where unique is the name of the game and talent is the flavor of the day.”, https://www.allaboutjazz.com/life-in-the-modern-world-lauren-white-cafe-pacific-records-review-by-nicholas-f-mondello.php, “While this recording can be readily appreciated by all listeners, the most seasoned will find it quite divine. At one point in the film, Gosling grouses over the fact that no one understands what real jazz music is and that he’d feel like a sellout playing in Legend’s band. The wayward side effect of casting Gosling as this jazz whisperer is that La La Land becomes a Trojan horse white-savior film. Damien Chazelle’s tribute to jazz music is a Trojan horse white-savior film in tap shoes Ira Madison III ira 12/19/2016. She was born and grew up in Great Neck, Long Island. But you should also know that La La Land opens with a stunning and visually masterful dance sequence sung by an incredibly diverse group of Los Angeles denizens — but after the song concludes, we immediately cut to Stone in her car on the way to an audition and her love story with Gosling begins when he honks his horn at her on the freeway. “White continues painting pictures of a world we inhabit in movies, paperbacks and late-night bars. It’s smoky and sultry and all those adjectives we typically use for women jazz singers, but she’s also so clear and deliberate in her phrasing that she uncovers a layer of emotional expression that’s often neglected in contemporary jazz… it’s fun to just zero in on her voice and let her tell you that story. Each song tells a story – they stand up with or without the music but, with the music and the voice they stand tall, yes, very tall.”, http://lance-bebopspokenhere.blogspot.com/2019/04/cd-review-lauren-white-life-in-modern.html, “As elegant as vocal jazz gets. Her approach to her material has an air of exploration and development. White interest in Harlem and jazz music became widespread and likely indirectly led to Chazelle’s father’s interest in jazz. After she moved to LA, she continued to perform on TV and in theater, but returned to her first love, singing. White displays a steady voice, which has grown richer over her previous recordings.”, “White has followed an eclectic path on Life in the Modern World, and it is an interesting and engaging one.” LAUREN WHITE is a singer who loves good tunes, whether old, new or somewhere in between. Damien Chazelle’s tribute to jazz music is a Trojan horse white-savior film in tap shoes, Damien Chazelle likes jazz music. I love jazz and I grew up playing jazz drums, so it’s always been the music I’ve felt most connected to.”. If this sounds exceptionally nitpicky, my gripe certainly isn’t eating me alive in a season populated by such great films as Moonlight, Hidden Figures, and Fences. How about “Till I Get It Right,” a duet with the lyricist of the tune, Mark Winkler, “Coffee,” with a terrific lyric by Ron Boustead or Kathryn Bostic’s “Slow Down?”  If you like hip numbers, dig “Monk’s New Tune” by Michael Franks, “Ellington’s Sound of Love” by Charles Mingus and “In a New York Minute” by Fran Landesman and Simon Wallace. We are Jazz Fanatics! She performs twice yearly at the Metropolitan Room in New York City and can be heard in many jazz venues in the Los Angeles area, including Catalina Jazz Club, Vitello’s, and the Cinegrill. White Jazz is a 1992 crime fiction novel by James Ellroy.It is the fourth in his L.A. Quartet, preceded by The Black Dahlia, The Big Nowhere, and L.A. Confidential.James Ellroy dedicated White Jazz "TO Helen Knode. She started singing standards and contemporary music in clubs on the New York music scene. Close your eyes, and by the end of the song you’ll feel as if you know so much more about her.”, https://thevinylanachronist.blogspot.com/2019/05/lauren-whites-life-in-modern-world.html?fbclid=IwAR3HTdz6VLn6Dt4VxfavzbRqxvsyCpULYNgr3oxUwdHRgXbnHo6PLoPtie8, “White moves deftly between classic jazz standards and modern pop fare with grace and ease… White’s steadiness and delivery through the assorted mix provides for a very entertaining and lovely result.”, Contemporary Fusion Reviews by Dick Metcalf, “Lauren will hold you spellbound on this performance!”, “White continues painting pictures of a world we inhabit in movies, paperbacks and late-night bars.

His second film, Whiplash, stars Miles Teller as an ambitious drummer who’s obsessed with jazz. His third, La La Land, stars Ryan Gosling as a man who wants to resuscitate jazz music in Los Angeles like it’s Bessie Smith slowly gasping her last breaths outside a Mississippi “whites only” hospital. An advertisement for Van Vechten’s 1926 novel in The New Yorker once asked, “Why go to Harlem cabarets when you can read Nigger Heaven?” Perhaps now you could just watch La La Land. According to Variety, Chazelle spoke to Michael B. Jordan about portraying Gosling’s role at one point, but that possibility imagines Lionsgate either producing an Oscar-contending film about two black people struggling through the world of jazz music rather than slavery or Jordan courting a white actress for a modern update of Save the Last Dance. But more than blaming his musical obsession for La La Land, I suppose I can blame Carl Van Vechten. Inexplicably, the black people in the nightclub are absolutely mesmerized by Gosling and Stone’s jitterbugging. Chazelle’s first film, Guy and Madeline on a Park Bench, stars a jazz trumpeter. Gosling and Emma Stone’s love story begins with her admiration of his piano skills, which leads to Gosling introducing her to real jazz music, not that Muzak that she hears in elevators on the way to her auditions in Hollywood.

Each song tells a story – they stand up with or without the music but, with the music and the voice they stand tall, yes, very tall.” But that was the debut indie film of a Harvard graduate, not a studio film with a $30 million budget. Legend tells Gosling that jazz was innovative in its time, so if he refuses to reinvent jazz in the present, then he’s really not living up to the spirit of the genre. This courtship takes them to a jazz club where Stone and Gosling dance to the inviting strumming of neo-noir jazz strings. (www.amazon.com), “Just listen to that voice. SHARE THIS PLAYLIST with other Classic Jazz Fanatics! SUBSCRIBE for updates. Her lyric interaction is savvy and not overdone, even on more lyric-intensive tracks. ©2020 Viacom International Inc. ALL RIGHTS RESERVED. Gosling isn’t just obsessed with jazz, he’s convinced that the genre is on its last legs and it’s his sole purpose in life to restore it to glory. Chazelle’s aforementioned first film, Guy and Madeline on a Park Bench, actually stars a black man (Jason Palmer) and a Latina woman (Desiree Garcia). Much like Matt Damon with ancient China in The Great Wall or Tom Cruise in The Last Samurai, in La La Land, the fate of a minority group depends on the efforts of a well-intentioned white man: Gosling's character wants to play freestyle jazz instead of the Christmas jingles he’s been hired to perform because, damn it, if the people can’t hear real jazz, then it’s going to cease to exist. Diverse modern jazz vocals Lauren White -Life In The Modern World. The voice brings a sense of theatre to the lyrics yet still retains the jazz feel. After a November screening of La La Land, Chazelle regaled a crowd at the Chateau Marmont with a story about how his father influenced his love for the genre: “He was a jazz obsessive and made sure that I listened to it. [l37921] Label . Her latest recording, Life in the Modern World, was released on April 2, 2019. https://www.allaboutjazz.com/ten-artists-june-2019-polly-gibbons-by-c-michael-bailey.php. The nightclub audience laughs at this joke, but in the film audience, it lands with a thud, because you know what? "The epigraph for White Jazz is "'In the end I possess my birthplace and I am possessed by its language.' The well-conceived arrangements are by pianist Quinn Johnson. -Ross MacDonald." It is, after all, Van Vechten's 1926 novel Nigger Heaven that fueled white interest in the Harlem Renaissance and led to the gentrification of the neighborhood’s nightclubs and brownstones. If you like the older standards, she gives you “How Little We Know” and “Midnight Sun.”  Newer tunes? The voice brings a sense of theatre to the lyrics yet still retains the jazz feel. The talented jazz singer Lauren White from Los Angeles has already released 4 good-selling CDs. Already at a young age she knew that singing and performing was her thing. Her first three CDs, Lauren White, Experiment, and Meant to Be, were well received and have enjoyed airplay on L.A.’s local jazz station KJAZZ as well as throughout the country.



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