0000006267 00000 n 186 0 obj <>/Filter/FlateDecode/ID[<47D17CCB2906E4448F009B731F8D7115>]/Index[169 31]/Info 168 0 R/Length 93/Prev 141446/Root 170 0 R/Size 200/Type/XRef/W[1 3 1]>>stream At higher levels it becomes full-blown overdrive/distortion. When you buy products through links across our site, we may earn an affiliate commission. the Aguilar PSU2 for best results. at about 12. bass and treble at about 12. mid at 12. 0000006507 00000 n With MASTER volume down, bring the GAIN control to 12 o’clock.

Some of you may have read my previous column “Tone Survival…..“. Armed with a 5-string, Sterling Ray35CA, I plugged the Tone Hammer 350 into an Aguilar DB 410 cabinet. 199 0 obj <>stream With a three-decade career as a professional guitarist in Nashville, Tennessee, Sweetwater's Don Carr has a long list of album credits in multiple genres of music. A little bass boost is good. you are set for …

Required fields are marked *. It gives you some reserve in case the engineer is burying you in the mix. The sweepable midrange is where the most flexibility lies.

In addition to the warm, organic sound that Aguilar is known for, the TONE HAMMER provides three bands of EQ with fully sweepable midrange frequencies for maximum tonal sculpting. 0000100712 00000 n “The Ridiculously-Low-Priced-Little-Beast” would be another fitting name for this amp. Sporting the same form factor and basic features as its bigger brother (minus the effects loop and one... GearFest 2020's Virtual Gear Expo – Videos Worth Revisiting. The AGS circuit, on a separate footswitch, with it’s own LED indicator, is the secret weapon of this box. With MASTER volume down, bring the GAIN control to 12 o’clock. The Tone Hammer is rated at 350 watts and the DB 410 is a 4×10 cabinet that’s rated at 700 watts so I knew I could really open the amp up and put it to the test. Sweetwater Sound endstream endobj 170 0 obj <>/Metadata 12 0 R/PageLayout/OneColumn/Pages 167 0 R/StructTreeRoot 18 0 R/Type/Catalog>> endobj 171 0 obj <>/ExtGState<>/Font<>/XObject<>>>/Rotate 0/StructParents 0/Type/Page>> endobj 172 0 obj <>stream The Tone Hammer delivered the goods at any volume level; never getting muddy or harsh, even above 2 o’clock.

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Aguilar sent along three SL 115s, the TH 700, and a SL 410x, so I was able to put together various configurations. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. 0000004346 00000 n The rest of the Tone Hammer’s features are all there for practical convenience: a front-mounted DI with a pre/post EQ button, a ground-lift button, a rear-mounted tuner output, a 10dB pad switch on the input to compensate for various instrument output levels, and a cooling fan that I frankly never noticed was on. Here’s how I found it to perform – beautifully……..

Tons of killer tones that are plenty loud enough for most small gigs in a 3lb package that’s barely larger than a hard-back book, the Tone Hammer is aptly named. Basic Setup 1. Store Hours, If you have any questions, please call us at (800) 222-4700. �t;/�k�|�lߏ��?���;�D8j�}�f� �|z?UUvr �[ c���rZ��eQUnt��Y› M��G�v��� �4���@e��{U`��($���p/,���Ka��Á��z+M��y}�l>�e����,�N�i���w��U�?�:��@�G��3���i�#X�X>8Lt"��L,�B��r���b!fd�1��u-� T����"���n�пl3i�I�E"+��Z�տ�=G�\3t�p�`v�V�X�X,�k0���O0��S���#h��4���oi��Ǵ��� �\7 endstream endobj 259 0 obj 1759 endobj 260 0 obj << /Type /FontDescriptor /Ascent 832 /CapHeight 578 /Descent -300 /Flags 34 /FontBBox [ -21 -680 638 1021 ] /FontName /MEHBJP+CourierNewPSMT /ItalicAngle 0 /StemV 42 /FontFile2 264 0 R >> endobj 261 0 obj << /Type /Font /Subtype /TrueType /FirstChar 32 /LastChar 118 /Widths [ 600 0 0 0 0 0 0 0 0 0 0 0 600 0 600 600 0 600 0 600 0 0 0 0 0 0 0 0 0 0 0 0 0 600 600 600 600 600 600 600 600 600 0 0 600 600 600 600 600 600 600 600 600 600 600 0 0 0 0 0 0 0 0 0 0 600 0 0 600 600 0 600 600 600 0 0 600 0 600 600 600 0 600 600 600 600 600 ] /Encoding /WinAnsiEncoding /BaseFont /MEHBJP+CourierNewPSMT /FontDescriptor 260 0 R >> endobj 262 0 obj << /Filter /FlateDecode /Length 31267 /Length1 52968 >> stream (typical problem in modern PA rigs) Engage the AGS circuit. Turn on your amplifier and engage the TONE HAMMER. My typical strategy is to put the Tone Hammer last in line before my amp, sending an XLR (mic) cable from the TH (tone hammer) to the PA. On the Tone Hammer box I set the initial gain knob (on the left side of box) at about 10 o’clock, and the master vol. 0000000911 00000 n 0000003546 00000 n H�b```f``�a`e``�cd@ A��&��[�3�)00��`@,2ʮ*���K�>�P�ظ���r��*�)�=#��rc)��Q��T���Q�����`R6K������l�� !��@���x��b5��8?3s����$KC'���� �,[��X��NS�~gSCc S��yď�v���f���b�t@�7�7RL���4?�T ���i�'ș@�ĚL���q�� �3��i� ��D{ endstream endobj 272 0 obj 271 endobj 248 0 obj << /Type /Page /Parent 244 0 R /Resources << /ColorSpace << /CS3 256 0 R /CS4 253 0 R /CS5 257 0 R >> /XObject << /Im1 270 0 R >> /ExtGState << /GS2 265 0 R /GS3 266 0 R >> /Font << /TT4 249 0 R /TT5 255 0 R /TT6 251 0 R /TT7 261 0 R >> /ProcSet [ /PDF /Text /ImageC /ImageI ] >> /Contents 258 0 R /MediaBox [ 0 0 612 792 ] /CropBox [ 0 0 612 792 ] /Rotate 0 /StructParents 0 >> endobj 249 0 obj << /Type /Font /Subtype /TrueType /FirstChar 32 /LastChar 52 /Widths [ 250 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 500 500 500 ] /Encoding /WinAnsiEncoding /BaseFont /MEHBEL+TimesNewRoman /FontDescriptor 254 0 R >> endobj 250 0 obj << /Type /FontDescriptor /Ascent 905 /CapHeight 718 /Descent -211 /Flags 32 /FontBBox [ -665 -325 2000 1006 ] /FontName /MEHBIN+Arial /ItalicAngle 0 /StemV 94 /XHeight 515 /FontFile2 268 0 R >> endobj 251 0 obj << /Type /Font /Subtype /TrueType /FirstChar 32 /LastChar 188 /Widths [ 278 278 355 0 0 0 0 191 333 333 0 584 278 333 278 278 556 556 556 556 556 556 556 556 556 556 278 0 0 0 0 0 1015 667 667 722 722 667 0 0 722 278 0 0 556 833 0 778 667 778 722 667 611 722 667 944 667 667 0 0 0 0 0 0 0 556 556 500 556 556 278 556 556 222 222 500 222 833 556 556 556 556 333 500 278 556 500 722 500 500 500 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 222 222 0 333 0 0 1000 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 834 ] /Encoding /WinAnsiEncoding /BaseFont /MEHBIN+Arial /FontDescriptor 250 0 R >> endobj 252 0 obj << /Type /FontDescriptor /Ascent 832 /CapHeight 593 /Descent -300 /Flags 34 /FontBBox [ -46 -710 702 1221 ] /FontName /MEHBIL+CourierNewPS-BoldMT /ItalicAngle 0 /StemV 100 /FontFile2 262 0 R >> endobj 253 0 obj [ /ICCBased 269 0 R ] endobj 254 0 obj << /Type /FontDescriptor /Ascent 891 /CapHeight 0 /Descent -216 /Flags 34 /FontBBox [ -568 -307 2000 1007 ] /FontName /MEHBEL+TimesNewRoman /ItalicAngle 0 /StemV 0 /FontFile2 263 0 R >> endobj 255 0 obj << /Type /Font /Subtype /TrueType /FirstChar 32 /LastChar 146 /Widths [ 600 0 0 0 0 0 0 0 600 600 0 0 600 0 600 600 600 600 600 600 600 600 600 600 600 600 0 0 0 0 0 0 0 600 600 600 600 600 600 600 600 600 0 0 600 600 600 600 600 0 600 600 600 600 0 600 0 600 0 0 0 0 0 0 0 600 0 600 600 600 600 600 600 600 0 600 600 600 600 600 600 0 600 600 600 600 600 600 0 600 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 600 ] /Encoding /WinAnsiEncoding /BaseFont /MEHBIL+CourierNewPS-BoldMT /FontDescriptor 252 0 R >> endobj 256 0 obj [ /Indexed 253 0 R 255 267 0 R ] endobj 257 0 obj /DeviceGray endobj 258 0 obj << /Filter /FlateDecode /Length 259 0 R >> stream h�b```�*�� cb�{��|I� ��A2J�'����88��t� �FCDGc��� W��� g i~ ifTf`frcLa{�`��0�ǩ�ӜIЩ���!�ӛQ$!���\��c��d��;���y�+�, �0 "d� Master controls allow you to dial in just the right gain structure for any

0000004398 00000 n Separate Gain and . I simply used the Master Volume to compensate for volume discrepencies between settings. Everything you love about Sweetwater in the palm of your hand.

Page 3: Sample Settings You are responsible for all shipping charges. ^,�.����ld��_�%�o����;�� �NN•������������������9���`:{8{:{8{:{8�5y�X� p:����A� p:���\a� W�+��#�G؏�a?�~��� tptptptptptp�'��@� �@� �@� Oe�"K���Rf)��Y�,e�"K���Rf)��Y�,e��Y|�g�|�+EWʮ])�Rt��Jѕ�+CWF�����o�7�� �F�����o�7�� �F���������s���K�/2Ɨ���*���*�� �=��Q|����*�>׎�>�i٘��y��J�v�s5���Y�e �s&` Separate Gain and .

Boosting the lower-end of the mids made the notes explode and a little went a long way! Hey there! Start playing, listen/ feel carefully to sound coming from main PA speakers. 0000069328 00000 n At lower levels, it introduces a slight tightening of midrange, and adds thickness. Along with my 20-year-old Sadowsky Vintage 5, I brought the Aguilar to run the Ampeg 8x10 house cabinet. Again, even the extreme settings were musical and useful. The Tone Hammer is a one of the more recent additions to Aguilar’s line of excellent products. Tone Hammer is an essential tool for every bassist’s arsenal. 0 This box has a ton of gain. @����wb��3�>\Y����'0k`���)�� q^+m�{�00�!a�V�ﶗ�FmQ&J�n����� ���n٭\�ȸ����L��'nɫ�xO�_>�R?����h��{m�3�- We use cookies to ensure that we give you the best experience on our website. endstream endobj 174 0 obj <>stream Playing over the entire range of the bass, I couldn’t get over how warm, round, and even every note sounded. Exclusive deals, delivered straight to your inbox. Even with a bass that has a single, rear-mounted humbucker, I was able to get about any sound I could think of and I barely touched the bass’s tone controls! (IK Ampeg svx), Newbie Audio Engineering + Production Question Zone, Aguilar Tone Hammer settings vs Bass plug-in settings. Is your tone thin? Being music makers ourselves, we love geeking out on all things gear. 0000001266 00000 n

0000001404 00000 n Hammer adds fully sweepable midrange frequencies in addition to treble . For specs and more info, go to aguilaramp.com, Your email address will not be published.

On the day the Tone Hammer 700 arrived at my house, I was booked to play a 1,000-capacity club here in Southern California.

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5�V[�bT��/����Mz1��������e��u�9�}��y譚;�$Y��=i�|�=٦v����lS/��#���o�$���n�L�* [�E�W�U'��'�M�>��b�./�����������.�� ZC That being said, with the extreme low-end and gain available on the Tone Hammer, it was possible to push the amp into an undesirable clip, but compensating with either the Gain or Bass controls instantly fixed it and preserved the intended tone. %%EOF This takes practice, and deep listening, but is hugely rewarding. The EQ section is voiced right at the sweet spots for bass: Bass at 40Hz, Treble at 4kHz, and a sweepable midrange from 80Hz-1kHz. 0000006954 00000 n Ͻ ��m�� P��^�U��C�����dXew���H�֙K��6�H�Pd�Gi$"���U�K�w�;���t�5s�2[�ҊT�T [ �0 ���8AE/���4j�O�P�ƻ�s�cr )�!i�� Your email address will not be published. Based on the respected OBP-3 preamp, the Tone Hammer ® features fully sweepable midrange frequencies in addition to bass and treble controls. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more. 0000038313 00000 n H��W�r�8��+0�I�lתT�����٬�������"8 iE? 0000002449 00000 n 4. trailer << /Size 273 /Info 242 0 R /Root 246 0 R /Prev 170267 /ID[<24464da29c4f2f23c02e70eada5bd6a3>] >> startxref 0 %%EOF 246 0 obj << /Type /Catalog /Pages 244 0 R /Metadata 243 0 R /Outlines 26 0 R /OpenAction [ 248 0 R /XYZ null null null ] /PageMode /UseNone /PageLabels 241 0 R /StructTreeRoot 247 0 R /PieceInfo << /MarkedPDF << /LastModified (D:20090707130040)>> >> /LastModified (D:20090707130040) /MarkInfo << /Marked true /LetterspaceFlags 0 >> >> endobj 247 0 obj << /Type /StructTreeRoot /RoleMap 41 0 R /ClassMap 44 0 R /K 210 0 R /ParentTree 220 0 R /ParentTreeNextKey 6 >> endobj 271 0 obj << /S 167 /O 268 /L 284 /C 300 /Filter /FlateDecode /Length 272 0 R >> stream 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818

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